los angeles

chase petra: portraits

I mentioned in my last post that I’d taken some portraits of Chase Petra. Well, here those are!

I took an early bus so I had time for two important tasks before the show: one, pick up some extra AA batteries for my flash; two, scout out some potential locations for portraits. I wanted locations with interesting backgrounds and good light, so I snapped some photos on my phone of spots I wanted to hit. When I met up with Hunter (lead vocals, guitar in Chase Petra), our first spot was in front of a Thai restaurant across from the venue. It wasn’t somewhere I’d originally scouted - but this mosaic background was something I couldn’t say no to.

Up next, we headed to a mural I’d spotted when walking around. Part of the mural was shaded and part was hit by direct sunlight; I played around with my flash to get the correct exposure for my subject (Hunter). Later, in editing, I still had some careful work to do to get things just right. I wanted to make sure to show detail in the white dress Hunter was wearing, while not underexposing everything else.

The last spot Hunter and I went to was an ivy-covered wall around the corner from the venue. I grabbed some shots of her sitting, and switched out my lens to my 50mm/1.4 for the close-ups. I liked both color and black-and-white for these shots; if you look closely, you’ll notice that I didn’t just turn the color image to black-and-white. I wanted a higher-contrast image for black-and-white, with darker blacks and a sharper feel; I wanted the color version to feel softer and almost pastel.

While Hunter went to soundcheck with the rest of the band, I headed to the pizza place next to the venue to grab some dinner. It was a nice vegan slice (the tomato sauce was really fresh and flavorful) - but I honestly wish I’d gotten another slice. I was still a little hungry after!

I reconvened with Hunter and Chase Petra guitarist Genevieve a little while later and we headed to what ended up being my favorite spot: a bank down the block. The reflections in the windows proved tricky to edit; I cleaned them up where I felt the images in the reflections were distracting, but in some cases I left them be. We shot at two different sides of the building to experiment with the light.


As we were about to head back to the venue, I grabbed these last few shots, trying to take advantage of the golden hour light. I like the contrast and simplicity of the black-and-white, but the light really shines in the color shots.